Maestro Death bows, plays the Danse Macabre,
flays the strings and grins at rigor mortis
screeching through the ravaged senses.
Violin violence bites and rages,
claws the ears and rends with primal discord,
shredding through the shattered corpus.
Reaper's bow screams the day to silence,
stills the breath and kills the dying echo.
Flying souls' ovations greet the end.















Comments
--
If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things thru' narrow chinks of his cavern.
- William Blake
Benedictions!
--
There is no escape from metre; there is only mastery.
- T.S. Eliot 'Reflections on Vers Libre' 1917 [link]
I really do like this poem though, although considering my limited vocabulary I will have to look up some of these words probably.
Blah... my vocabulary has dwindled... shameful really....
In the meantime I will stop trying to sound smart at 4 something in the morning, shut my trap and say I really, really liked it.
--
I argue thee that love is life. And life hath immortality. --Emily Dickinson
I am glad you enjoyed it!
Benedictions
--
There is no escape from metre; there is only mastery.
- T.S. Eliot 'Reflections on Vers Libre' 1917 [link]
Sound: Wow, there are certainly a lot of "S" sounds in here. I don't like saying them, but as I was wondering at some point, maybe you choose less pleasing sounds to match the mood of a certain poem. I was considering doing that, but I wasn’t (and I’m not) sure about it. "Violin violence" is the phrase that I find most pleasing sonically; I like the "viol" sound. Haha, vile. The last two lines are fun for the internal rhymes, still and kills, dying and flying.
Over-all: Favorite line: "Violin violence bites and rages"
Least favorite line: "screeching through the ravaged senses." - I don't know why I didn't bring it up under "sound", but "ravaged senses" is just atrocious to say. I couldn't tell you why on this one.
I think you handle dark poetry quite well, and I've always had interest in the Danse Macabre. In general, I think you did a good job with cliché avoidance. I still have a lot of trouble determining the stress in one syllable words, so I can't play right now, unless I use only multiple syllable words.
I hadn't come across it before - where have you heard it previously, and in what contexts?
I don't like saying them, but as I was wondering at some point, maybe you choose less pleasing sounds to match the mood of a certain poem.
Least favorite line: "screeching through the ravaged senses." - I don't know why I didn't bring it up under "sound", but "ravaged senses" is just atrocious to say. I couldn't tell you why on this one.
I was experimenting with harsher sounds and dissonance in contrast to sibilance to reflect the poems content.
That line happened to be the most dissonant.
I shall keep in mind that it may not be an effective technique.
My thanks for the feedback! It is appreciated!
Benedictions!
--
There is no escape from metre; there is only mastery.
- T.S. Eliot 'Reflections on Vers Libre' 1917 [link]
--
"A Freudian slip is when you mean one thing but say your mother."
Benedictions
--
There is no escape from metre; there is only mastery.
- T.S. Eliot 'Reflections on Vers Libre' 1917 [link]
--
"You see, I am a poet, and not quite in my right head, darling." -Edna St. Vincent Millay
Benedictions!
--
There is no escape from metre; there is only mastery.
- T.S. Eliot 'Reflections on Vers Libre' 1917 [link]
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